Various Programs and Events Organized in Hong Kong during the Visit
Rabin Man Shakya
Portland, July 28 (Nepal Oregon News): Prajwal Vajracharya, co-founder of Nritya Mandala Mahavihara and senior charya dance teacher, was in Hong Kong visit from July 16-27, 2026 for promoting and enhancing Charya Nritya dances.
A program of Vajra dance performances was organized at the Kuan Yin Lecture Hall (Western Monastery) of Hong Kong Polytechnic University on Saturday, July 18, 2026.
The event, which was attended by 80 people, was hosted by Hong Kong Buddhist Studies Association (HKBSA) and supported by the Hong Kong Polytechnic University Buddhist Society.
According to Dr Tina Ho of HKBSA, before the performances, there was a small fire nearby, when the Vajra dance performers were doing makeup.
"Luckily the fire was extinguished and we started the performances on time", Dr Tina Ho said.
The Vajra dance program included Refuge Prayer, Sixteen Offering Goddess Dances, Pancha Tara, Amoghasiddhi and Aryatara, Vajravarahi, Vajrasattva, Padmanateshvara and Mahavairochana.
Refuge Prayer and Sixteen Offering Goddess dances were performed by Fionna, Mei Mei, Joanna and Pamela.
After that, Pancha Tara Vajra dance was presented by Shira Chan, Wing Yee Lui, Sin Ying Leung, Patty Chan and Lok Yee.
Then, Amoghasiddhi and Aryatara Vajra dance was offered by Prajwal Vajracharya and Dr Tina Ho. Vajravarahi Vajra dance was featured by Saldon Wu. Likewise, Vajrasattva Vajra dance was rendered by Dickon Kong.
Similarly, Padmanateshvara Vajra dance was showcased by Dr Eliza Lau. Finally, Mahavairochana charya dance was presented by teacher Prajwal Vajracharya.
Meanwhile, on Sunday, July 19, an all-day workshop on Ali and Kali (vowels and consonants) was organized at Tung Lin Kok Yuen Wang Fat Ching She. The workshop in Hong Kong was attended by 29 people.
Conducting the all-day workshop, Prajwal Guruji threw light on Ali and Kali in Newar Buddhism, and also explained how to practice yogic way elucidating meaning of each vowel and consonant and how to use them in practical life.
During the workshop, Prajwal Guruji shed light on Ali-Kali, a sacred syllabary representing the foundational, energetic, linguistic and philosophical structure of Tantric practices.
Underscoring the relevance of the unique Sanskrit-based Vajrayana tradition of the Kathmandu valley, the Guruji said:"Ali refers to the Sanskrit vowels, whereas Kali means Sanskrit consonants."
Ali (vowels) represent Pragya, the feminine principle, and primordial state of Sunyata, clarified the Guruji adding:"Kali (consonants) represent Upaya, the masculine principle and compassionate action or phenomenal manifestation."
The Guruji provided detailed and comprehensive details about Ali and Kali to the Hong Kong participants.
Likewise, on Monday evening, July 20, a Dharma talk on Dakinis was held in Hong Kong.
Addressing the gathering, Prajwal Guruji said:"Based on a 1000-year old Newar Buddhist tradition in Nepal, a Dakini is a sacred female spirit, deity, or enlightened energy who represents wisdom, spiritual transformation and the dynamic feminine principle."
The talk on Dakinis focused on Dakinis as the energetic beings in female form, evocative of energy in space."
On Tuesday, July 21, an afternoon visit to Shingon Buddhist temple, the Hong Kong Mantra School for Lay Buddhists was organized for Guriji Prajwal Vajracharya. Refuge and Sixteen Offering Goddess Dance were presented on the occasion. The event was attended by 24 people.
On Tuesday, July 21, an evening workshop 'Praise to Avalokiteshvara Sloka' was held at Utpala Meditation Center in Hong Kong.
The Guruji, during the workshop, explained the meaning of Sanskrit sloka: lokeswaram shilam shantam amogha guna sagaram/ amitabham kritam mauli namami amogha pasanam//.
Delivering the Dharma talk, Prajwal Guruji stressed the significance and relevance of Lokeshvara in the Buddhist world.
Avalokiteshvara is the embodiment of universal compassion and has the softest, gentlest and most fluid of dances represented in the Charya nritya tradition, he said.
The 35th generation Vajrayana priest from Nepal explained the Hong Kong participants about Avalokiteshvara's attributes, energy, form, charya giti, gestures, movements and Nritya from the Newar Buddhist dance tradition.
This is an ancient form of deity yoga meditation for physical transformation, refinemment of emotions and spiritual awareness, the Guruji said.
Moreover, a Dharma talk on Vajradhatu and Dharmadhatu was also hosted by Hong Kong Buddhist Studies Association on Wednesday, July 22 at Utpala Meditation Center. Prajwal Guruji explained the importance of Dharmadhatu and Vajradhatu saying that they were there in the history even before the advent of the Buddha. Prajwal Guruji underscored the significance and relevance of Vajradhatu and Dharmadhatu even for today.
Dharmadhatu is a Sanskrit term meaning the realm of truth, sphere of phenomena or dimension of all thing, said the Guruji and added:" Vajradhatu means diamond realm or thunderbolt sphere in Sanskrit, representing ultimate reality, unchanging wisdom and the indestructible nature of enlightenment in Tantric Buddhism."
Prajwal Guruji also mentioned that Dharmadhatu and Vajradhatu are mentioned in Naamsangiti. Naamsangiti was preached by Shakya Muni Buddha for his disciple Vajrapani and his wrathful retinue in order to lead them into Buddhahood, the Guruji went on daying. Before the advent of scientific discoveries, there were mention of five oceans and other seas in the ancient Sutras, the Guruji stated.
Prajwal Guruji also examined the dimensions ans realities of Vajradhatu rituals in Nepal as it is lived and practiced in Newar Buddhist traditions.
The Guruji gave detailed accounts of Dharmadhatu and Vajradhatu, saying that there are 220 deities in the Dharmadhatu Mandala and 53 deities in Vajradhatu Mandala. Prajwal Guruji also discussed in detail about Bhadrakalpa Bodhisattvas and Maha Bodhisattvsas. The Guruji also showed rare slides to explain his teachings.
Furthermore, an empowerment (Dikchha) and teaching on deity Padmanateshvara was organized at Utpala Meditation Center on Thursday, July 23, 2026. The teaching was attended by 21 participants.
The teaching and empowerment was conducted by Prajwal Vajracharya, a 35th generation Newar Vajrayana Buddhist priest. It is to be noted that for the practice and Sadhana of Padmanateshvara, an initiation or empowerment (Dikkchha) is always required.
Padmanateshvara (Nasa Dyo) is the deity who represents performance arts, the yidam of Charya Nritya - the Lord dancing on Lotus, Prajwal Guruji told the Hong Kong participants.
Padmanateshvara's (who possesses ten hands) initial gestures is to indicate the wisdom of the heart, with the second one he touches heaven, with the third the earth. All the other symbols he holds in his different hands refer to the Buddha Dharma, and about one making decisions to follow this path, the Guruji said.
The initiation into Padmanateshvara is to incarnate the wisdom by dancing, and by dancing, share it with all, said Guruji Prajwal Vajracharya.
During the teaching, Prajwal Guruji also conducted the fundamental movements and dance teaching. Charya Nritya teacher Prajwal demonstrated hand and finger Mudra and showed different steps of the dance 'Padmanateshvara'. The teaching offered a wide spectrum in terms of practical and theoretical aspects of learning about the Padmanateshvara charya nritya.
A three-day Mahavairochana Charya Dance retreat (July24-26) was organized at the Hong Kong Buddhist Studies Association Sha Tin Center/ShareLife Holistic Institute. The retreat was participated by 12 Hong Kong Sangha members.
Saying that Mahavairochana is an eternal cosmic presence whose body, speech and mind are the universe itself, Prajwal Guruji stated:"Mahavairochana Buddha is considered as the Supreme Buddha among the five Dhyani Buddhas. This primordial Buddha represents the wisdom of Sunyata or essence of the Dharma realm meditation mudra."
Five Dhyani Buddhas are drawn together in a Mandala and Vairochana Buddha is in the center of the Mandala, the Guruji informed the Hong Kong participants.
The Guruji underlined:"Vairochana Buddha statues are mostly depicted in white color. If anybody meditates chanting mantra on Vairochana Buddha, it helps to vanquish ignorance."
While performing Mahavairochana charya nritya, the dancer utilizes visualization, hand gestures (Mudra) and yogic postures to manifest the internal qualities of Mahavairochana, the Guruji added.
He said:"Mahavairochana charya nritya refers to a specific variation of charya nritya, a sacred, ritualistic Vajrayana Buddhist dance tradition belonging to the Newar Buddhist community of the Kathmandu valley."
The Guruji went on saying:"In this Charya nritya, the performer enters a deep meditative state to physically embody Mahavairochana who is the central cosmic deity among the Pancha Buddhas who represent the transformation of ignorance into the all-encompassing wisdom of reality."
The performer wears traditional crowns and symbolic ornaments representing the six paramitas. Mahavairochana is always depicted in white costumes, he reiterated.
The retreat was an opportunity for the Hong Kong participants to acquire comprehensive and detailed knowledge about Mahavairochana. During the retreat, Prajwal Guruji explained the Sanskrit meaning of Mahavairochana charya giti.
Prajwal Guruji performed Mahavairochana charya dance at the end of the retreat. He also answered to questions of the participants.
According to Dr Tina Ho, during the retreat "we met typhoon signal No 8 & 9. So we left the site at 5 pm on second day but joined againon 3rd day afternoon to continue the class."
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Four Week-long Charya Nritya Transcendent Classes 'Praise of the Ancient' Wraps Up
Portland, July 13 (Nepal Oregon News): A four-week long Charya Nrtya transcendent teaching 'Praise of the Ancient' (once every Sunday - June 14 to July12) was wrapped up on Sunday, July 12, 2026. The practical and theoretical classes were delivered by senior charya pedagogue Prajwal Vajracharya.
Every week, the teaching started with the chanting offered to Padmanateshvara followed by Refuge and Sixteen Offering Goddess dances.
The four-week long Charya teaching was an opportunity that enabled participants to understand transformation of the body and awakening the mind with the 35th generation Tantric Buddhist priest from Nepal.
According to Prajwal Vajracharya, a 35th generation Vajrayana priest, Charya Nritya is a sacred, thousand-year old Newar Buddhist dance tradition from Nepal that combines physical movement, mudras (sacred hand gestures), and mantras as a form of moving meditation and spiritual discipline.
Prajwal Guruji maintained that Charya Nrityas have been practiced for centuries by Newar Vajracharya and Shakya priests in the Kathmandu valley. The Guruji added:"Charya Nritya integrates body, speech and mind through yoga postures, visualization, and devotional songs (Charya giti).
The four-month teaching focused on Charya Nritya of various Buddhist deities: Avalokiteshvara charya dance (Sloka), Aryatara charya dance (sloka), Manjushree charya dance (sloka) and Pragyaparamita charya dance (sloka), said the Guruji adding:"These charya dances embody peaceful deities to cultivate inner wisdom and compassion."
Throwing light onthe objectives of the four-week course, Prajwal Guruji said:"The purpose of the course was to provide a basic introduction with the yogic songs (charya giti slokas) and the accompanying sacred ritual dances (slokas) of Avalokiteshvara, Aryatara, Manjushree and Pragyaparamita.
Prajwal Guruji went on saying:"The Charya movements physically manifest the compassionate and peaceful attributes of Buddhist deities Avalokiteshvara, Aryatara, Manjushree and Pragyaparamita.
Prajwal Guruji, who is also chief pujari at the Vihara, during the teaching explained the meaning of Sanskrit slokas of Avalokiteshvara, Aryatara, Manjushree and Pragyaparamita.
During the four-week course, the participants learned lyrics of the slokas of Avalokiteshvara, Aryatara, Manjushree and Pragyaparamita.
Also, during the teaching, Guru Prajwal also explained the meaning of movements, steps and Mudras of various deities' dannces. How to liberate yourself, how to feel transformation, the ways to enlightenment through Charya tradition were the leitmotif of Guruji's four week long discourse.
In brief, the launch of the four week-long Charya Nritya transcendent classes 'Praise of the Ancient' marked a significant milestone in making this sacred, moving meditation accessble to global practitioners.
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